Recollections vol.2; Tokyo, June 2011 - statement

Masayo Nishimura
Recollections vol.2; Tokyo, June 2011
Photography

This exhibition features Nishimura’s color photographs of various passersby almost all of which were captured in one sunny afternoon on the streets of Tokyo, Japan in June 2011.

For this project, Nishimura shot around Shinjuku Station--the busiest business and shopping area in Tokyo. However in her images, the pedestrians on the sidewalks and crosswalks appear strangely frozen in the middle of their action while they are moving their feet one step forward toward their destinations. Some are captured while holding umbrellas, some are frozen while conversing with others or talking on cell phones, and some are caught while running hurriedly with long strides - all of these actions are momentary paused. Along with beaming sunlight and dark shadows cast on the ground, the scenes look surreal, fictitious and curiously soundless, even though the actual location is filled with traffic sounds and crowd noise.

In her sequential series of “Scramble Crossing”, Nishimura experiments with the consecutive shooting of people on a scramble crossing. During the brief period of time when the traffic signal changes from green to red, she captures various types of pedestrians as well as vehicles crossing in opposite directions. These paused frames and sequential images reveal interesting “raw” expressions of people in their facial and body language which they are not normally conscious of. On the scramble, each person seems to tell his or her own personal story even though they appear frozen in time.

By using a wide-angle lens with fixed aperture and a relatively high shutter speed with no flash or tripod or close up shot, Nishimura was able to capture all of the images casually and spontaneously as a distant observer without interacting with her subjects. Her approach becomes a sampling of everyday life out on the streets. An added bonus is that these everyday scenes often transform themselves into a unique expression and unexpectedly tell stories by themselves, as also exemplified by her previous NYC subway photographs.

* All the shots are taken with a 35 mm film camera with Fuji color film and hand-printed by the artist on her final stock of Kodak paper.